Spike Lee and Disney might sound like a pretty odd combination, but I don't really see it that way. (Lest we forget that the excellent 25th Hour was a Disney production.) Love the guy or not, Spike Lee has turned into quite the eclectic filmmaker over the last few decades -- and so when I heard that the guy was helming a $50 million WWII drama for Disney, I was intrigued but not surprised. Based on the book by James McBride -- and adapted for the screen by same -- Miracle at St. Anna tells the tale of four black soldiers who find themselves stuck behind enemy lines in Italy.

Opening September 26, St. Anna stars Derek Luke, Michael Ealy, Laz Alonso, and Omar Benson Miller. Also on board are John Turturro, D.B. Sweeney, Kerry Washington, John Leguizamo, and Joseph Gordon-Levitt. Riding high after his last feature film (the solid and profitable Inside Man), Mr. Lee looks to be moving into "Oscar-friendly" territory again with St. Anna -- and I know I'm not the only movie fan who's curious to Lee's first big war movie.

It's been almost two years since I first wrote about The Loss of a Teardrop Diamond. The forgotten Tennessee Williams screenplay started cooking up in November 2006, with a stellar cast of Ellen Burstyn, David Strathairn, Ann-Margret, Chris Evans, and ... Lindsay Lohan? This was, however, before her personal demons took center stage and made a complete mess of her career. Bryce Dallas Howard starting circling the project in 2007, and now, finally, you can get a peek of her in the film above (courtesy of Rope of Silicon).

Can you imagine Lohan up there? Methinks her struggles will be a blessing for the film, which centers on Fisher Willow (Howard) -- a 1920s debutant who makes waves because of her "distaste for narrow-minded people and a penchant for shocking and insulting those around her." When she falls for a lower-class young man (Evans), she has to trick her family into thinking that he's upper class. But when she loses a diamond (like the title suggests), you can imagine what happens.

The film will finally begin to hit our eager eyes at TIFF next month.

Tropic Thunder held onto the top spot for two weeks in a row, followed by The House Bunny and Death Race. Last week's two other newbies The Longshots and The Rocker took the number 10 and 13th spots respectively. Here's what the top five looked like:

1. Tropic Thunder: $16.2 million
2. The House Bunny: $14.5 million
3. Death Race: $12.6 million
4. The Dark Knight: $10.5 million
5. Star Wars: The Clone Wars: $5.6 million

Babylon A.D.
What's It All About: Vin Diesel stars in this futuristic actioner as a bodyguard charged with delivering a young woman from Russia to the U.S. Little does he realize that she is hosting an organism that a cult hopes to use to create a new messiah.
Why It Might Do Well: While not on a par with this Summer's biggest flicks, Babylon A.D. represents the last gasp of the season's eye candy movies and it's getting a really wide release.
Why It Might Not Do Well: Those thinking this might be a big screen version of Babylon 5 may be in for a disappointment. Also, with five reviews in, Rottentomatoes.com is giving this 0% rotten as of this writing.
Number of Theaters: 3,200
Prediction: $23 million

College
What's It All About: Drake Bell from Nikolodeon's Drake and Josh plays one of several high school kids on a college visit looking to party. Hijinks and projectile vomiting ensue.
Why It Might Do Well: Someone must feel nostalgic for those bowl-hugging college days.
Why It Might Not Do Well: Because part of me wants to believe there is justice in the universe.
Number of Theaters: 2,000
Prediction: $5 million

Disaster Movie
What's It All About: Jason Friedberg and Aaron Seltzer, the writer/director team behind Meet the Spartans, Epic Movie and the Scary Movie franchise go to the well once again with a flick that parodies disaster movies, super hero flicks and various pop culture icons.
Why It Might Do Well: Like them or not, Friedberg and Seltzer's movies tend to make a respectable if not stellar profit.
Why It Might Not Do Well: Maybe the public has had enough of these things. I can dream, can't I?
Number of Theaters: 2,500
Prediction: $11 million

Traitor
(opens Wednesday)
What's It All About: Don Cheadle stars in this tale of international intrigue as a deep cover CIA agent under investigation by the FBI as a possible terrorist.
Why It Might Do Well: In addition to Cheadle the impressive cast includes Guy Pearce and Jeff Daniels.
Why It Might Not Do Well: Fresh off the Summer blockbuster season, will audiences want a film about such weighty matters?
Number of Theaters: 2,054
Prediction: $9 million

Box office predictions become a much wilder and woolier proposition once blockbuster season ends, making it all the more exciting if you ask me. Here's what I think next week's top five will be:
1. Babylon A.D.
2. Disaster Movie
3. Traitor
4. Tropic Thunder
5. Death Race

Last week's top five took us all by surprise. Most didn't think Tropic Thunder would take another week at number one, and many expected The Rocker to do better. Here's how we all did:
1. LostinaFog: 7
2. I Eat Robots: 6
2. Romel: 6
2. Smiggy: 6
2. Victor de la torre: 6
2. Mike: 6
2. Adam P: 6
2. Vera: 6
3. Matt: 4
3. Chris: 4
3. Alex: 4
3. Liz: 4
3. Vega: 4
3. Zctop: 4
3. NP: 4
3. Ray: 4
3. VP: 4
3. AJ Wiley: 4
3. Greatone: 4

Post your predictions for the top five movies in the comments section below before 5:00PM Eastern Time on Friday. One point for every top five movie correctly named, two points for every correct placement, and one extra point for the top movie.

As with most any other genre, pitching a thriller seems to go that much more swimmingly once one finds an ideal blockbuster reference point with which to do half of the leg work. It's 'Die Hard meets this', 'Speed on a that', and, when in doubt, just say the damn thing is 'Hitchcockian'.

Post-2001, the likes of TV's '24' and 'Sleeper Cell', and film's Jason Bourne franchise, have tapped into both our political climate and pop culture zeitgeist, into a globe-trotting, gun-toting fear of the here and there and always now. Jeffrey Nachmanoff's Traitor feels like the first film that has itself been directly spawned in the wake of those successes, as opposed to merely being bolstered by it, and while it may overtake, say, Vantage Point in terms of plausible plotting and worldly knowledge, it remains a film that is good enough to grasp the bar and yet not quite enough to raise it.

Now, I know Wayne Wang isn't in most cinephiles' good graces these days.* He's spent most of the decade making bland and unremarkable middle-brow flicks like Maid in Manhattan, Because of Winn-Dixie and Last Holiday. But the director behind The Joy Luck Club and Chinese Box still has a fair bit of cachet, and when he does something like make his new film available in its entirety online and for free, people pay attention.

So, pay attention: Wang's The Princess of Nebraska, an indie he premiered at last year's Toronto International Film Festival (where it got a positive review from Cinematical's Kim Voynar), will be offered for free on the internet in September. The filmmaker partnered with ex-SXSW chief Matt Dentler and his Cinetic Rights Management to make this happen, as a means of releasing Princess simultaneously with its companion film, A Thousand Years of Good Prayers, which will come to theaters courtesy of Magnolia Pictures. The exact plans of the release (i.e. where, how) haven't been announced, but I'll keep an eye on it. Take a look at this IndieWire story for more.

Not, probably, the start of a new Hollywood trend, given that The Princess of Nebraska -- a no-budget drama about a pregnant Chinese teenager's struggles in the United States -- probably wouldn't have done much business anyhow. But if Dentler and his colleagues can figure out a way to get people to watch the thing, who knows. Indie filmmakers could always use a new channel.

*The exception is our own Eric D. Snider, who informs me: "I love Wang films!"

As I exited the screening of Traitor, the terrorism thriller starring Don Cheadle that opens on Wednesday, I noticed something odd in the closing credits: story by Steve Martin and Jeffrey Nachmanoff. The second guy is the film's director. But that first guy ... Steve Martin? The Steve Martin?

I knew the one-time Wild and Crazy Guy was a renaissance man. In fact, lately I've enjoyed his writing, which is clever, nuanced, and intelligent, more than I've enjoyed most of his movies. He apparently is not as selective about his film projects as he is about his writing. His novella The Pleasure of My Company is one of my favorite recent books, and Shopgirl (which was made into a film) is another surprisingly emotional gem.

But a terrorism thriller about Muslim extremists and FBI investigations? Even with the understanding that "typical Steve Martin" territory extends much further than the casual fan might realize, this was not typical Steve Martin territory. Checking out the film's website, I found this explanation:

"Traitor began its journey to the big screen when Steve Martin presented an intriguing idea to producer David Hoberman while they were working together on the blockbuster comedy Bringing Down the House. Martin's "what if?" scenario immediately captured Hoberman's imagination with its provocative contemporary themes and surprising final twist."

The production notes go on to describe Nachmanoff and Don Cheadle doing a lot of reworking of Nachmanoff's script, which had been based on Martin's original concept, so I don't know how much of Martin's idea is in the finished product. (He's also credited as an executive producer.) But either way, as a huge fan of Martin's, it's always exciting to see him do something new. It's also nice to know that something positive came out of Bringing Down the House.

The dog days of summer hit the indie box office this weekend, as the top earner was a film in its third week of release. Elegy, directed by Isabel Coixet and starring Ben Kingsley and Penélope Cruz, expanded from six to 92 theaters and grossed $5,546 per screen, according to estimates compiled by Box Office Mojo. The adaptation of a novel by Philip Roth has not been universally praised, but maintains a strong 74% positive rating at Rotten Tomatoes. I can't help but conclude that Penélope Cruz is the art house crowd's answer to Megan Fox, because . . .

. . . Cruz also stars in Vicky Christina Barcelona (pictured), which made $4,339 per screen in its fairly wide (692 theaters) second week. Woody Allen's latest features other pretty people such as Javier Bardem and Scarlett Johansson, of course, and has very good reviews behind it, yet it's silly to ignore the current Cruz heat factor.

As Eugene has already noted, Andrew Fleming's Hamlet 2 got a jump start on its wide release by opening on 103 screens, but its average of $4,223 "doesn't inspire confidence for the expansion." Will this slow down star Steve Coogan?

Suspense drama Transsiberian ($4,157 per screen, 38 theaters, 6th week), tense drama Frozen River ($4,048 per screen, 41 theaters, 4th week), and mystery thriller Tell No One ($3,643 per screen, 101 theaters, 8th week, $3.8 million total) continued to draw well, while debuting debt doc I.O.U.S.A. made $3,461 per screen at 18 locations.

Woody Allen's latest film, Vicky Cristina Barcelona, has earned mostly rave reviews, and it's doing well at the box office -- or, that is, it's doing well for a Woody Allen film. It opened in 10th place for the weekend of Aug. 15-17, the first time an Allen film has cracked the top 10 at all (let alone opened there) since Small Time Crooks, eight years and eight movies ago. And Small Time Crooks was the first one since Husbands and Wives, eight years and eight movies before that.

I wouldn't say there's ever been a time when Allen's films routinely made the top 10 -- he's always managed to release a total flop here and there to break up the streak -- but it certainly used to occur much more frequently than it does now. Manhattan opened at #1 in 1979, possibly the only Allen film ever to do so. (I can't find specific weekend data on Annie Hall, which is the only other likely candidate.) Various others have spent at least a couple weekends in the top 10. Still, no Allen film has ever been what you'd call a "blockbuster." His biggest hit, Hannah and Her Sisters (1986), made $40 million and never got higher than 5th place at the box office. Granted, if you adjust for inflation, Annie Hall's $38 million would be about $120 million today, and that would be considered fantastic for a low-budget indie. But it's still not commensurate with how beloved and acclaimed Allen is.

Consider this: Woody Allen has directed 38 theatrical features. The Dark Knight has made more money than all 38 of them combined. Isn't it strange that one of the most iconic American filmmakers of all time can barely scrape together a crowd to actually watch his movies?

Cinematical has just received this exclusive clip from the upcoming film Choke, based on one of my personal favorite Chuck Palahniuk (Fight Club) books. Choke stars Sam Rockwell as Victor Mancini, a snarky sex addict who cons well-to-do folks out of their money by fake-choking in restaurants while subsequently feeding off the sympathy of others. He then uses this money to help pay his mother's (Anjelica Huston) mental hospital bills. In the clip above -- which is one of a few flashbacks in the film -- young Victor and his mother visit the zoo ... at night ... and they're not exactly there to buy cotton candy. You can learn more about Choke over at its official website. I saw the film back at Sundance and liked it quite a bit -- especially Rockwell's off-the-charts performance as Mancini. Definitely see this one when you get the chance; it arrives in theaters on September 26. Additionally, watch the trailer and another clip over on Moviefone. Enjoy.

Do you really want to get an IRA mole mad? British spy drama Fifty Dead Men Walking has stirred the ire of Martin McGartland, its real-life inspiration, according to The Hollywood Reporter. McGartland "threatened legal action against the Canadian-British co-production ... on grounds that the feature infringes his moral rights." On the same day that McGartland made his threat, a scheduled press screening was canceled by Canadian distributor TVA Films, which claimed "a print problem."

The film is scheduled to have its world premiere at the Toronto International Film Festival (TIFF) on September 10 -- a splashy, red carpet Gala Presentation. But McGartland says that the film "is an entirely false and distorted account of what took place." He is also "reserving all [his] legal rights and remedies in this matter." But one has to wonder -- didn't he already sign off by selling the film rights? Or was that out of his hands and up to his publisher (Hastings House)?

McGartland infiltrated the IRA for the British police in the 1980s and then had to go on the run when his true identity was uncovered. Kari Skogland (Chicks with Sticks, The Stone Angel) adapted McGartland's 1998 book for the screen and also directed. Ben Kingsley, Rose McGowan, Jim Sturgess (21) star. The prospect of Kingsley (in a bad hair piece) and Sturgess facing off somehow -- is Kingsley his police "control"? a member of the IRA? -- sounds very enticing, as does the prospect of Sturgess tackling a serious subject, so let's hope this gets resolved quickly.